Wildhood, a film about a young Mi’kmaw man whose journey to find his mother is intertwined with a sexual awakening, faced years of rejection before making it to the silver screen.
Director Bretten Hannam began writing a version of the script more than a decade ago, consulting with industry players who praised the story, but always had a caveat: Do the characters really have to be two-spirit? Do they really have to be Indigenous?
But with a new wave of filmmakers now exploring a spectrum of Indigenous identities onscreen, Hannam was able to tell the story he envisioned — and turn
